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My fans, who are typically open minded readers, are often puzzled by the naturism in the world of Aenya. Sometimes, when people learn how often Xandr and Thelana roam about naked, they become quietly embarrassed, as if I just told them I'm gay. I find this aggravating, considering we live in a world of South Park and Family Guy, where constant references to S&M, rape, bestiality, and in one instance, necrophilia, is so embraced by the public as to have become standard household viewing.
In all honesty, I love nudity in all its forms. I even love the words nude and naked, which can carry so many, often dichotomous meanings, from natural to truthful to indecent. On the contrary, I hate porn, Hentai, and grotesque deformations of the human body on display in magazines like Heavy Metal.
Before I even knew what naturism was, it was part and parcel of my fiction. My first fantasy hero, the Greek demi-god, Dynotus, whom I created when I was 14, was more often naked than not. My inspiration for him and for Xandr came from summers on nude beaches and Greek sculpture. Neither Heracles, Perseus or Theseus bother with a stitch when standing gracefully in the Louvre or in the countless other museums of France and Italy. The late Frank Frazetta (RIP) also featured nudity in his art, which was never obscene---but in the exotic worlds of Conan seem only natural. Nudity in comics and film is not uncommon either. Before the film 300 popularized the Spartan myth for the modern age, Frank Miller had Leonidas traipsing around in nothing but a red cape (and no loincloth) throughout the graphic novel. In Alan Moore's Watchmen, Dr. Manhattan's genitalia is only hidden by the blue tone of his skin.
What makes Xandr and Thelana unique, and I think, shocking for some people, is the way they are naked. People seem bothered by the notion of natural nudity, or nudity in non-sexual social settings. Perhaps it is the "ism" in nudism that our modern society is afraid of. But for the Ilmarin people, to whom Xandr and Thelana belong, nudity is a non-issue. In their language, the word "nude" or "naked" does not exist. After the Great Cataclysm, when the planet Aenya stopped rotating, a paradise formed in one niche of the world which provided perfect weather . . . and isn't clothing, traced through prehistory, simply a protection from the elements? Doesn't environment dictate cultural norms as evidenced by Amazon tribes who know nothing of clothing, or Arabic cultures whose ancestors relied on head and mouth coverings to retain moisture?
The Ilmarin people are naked in the same sense. It is not to arouse or shock or to be risqué---it's simply their way of life. Or was at the start of the story. Just as in the Garden of Eden, the Ilmar lose their innocence when they are ousted from paradise (unlike Adam and Eve, however, they never accept their shame). The loss of innocence, and the other side of that coin, paradise, is a recurring theme in Ages of Aenya. Nudity becomes then a powerful metaphor when Aenya's "civilized" cultures, who are greedy, hubristic and materialistic, show nothing but contempt for the shameless, nature loving Ilmar. A quote from Edgar Rice Burroughs' Tarzan, which could have been lifted from Ages of Aenya, beautifully expresses how Xandr and Thelana feel,
"Clothes he abhorred - uncomfortable, hideous, confining things that reminded him somehow of bonds securing him to the life he had seen the poor creatures of London and Paris living. Clothes were the emblems of that hypocrisy for which civilization stood - a pretense that the wearers were ashamed of what the clothes covered, of the human form made in the semblance of God."
From Ancient Greece to the colored "tights" of Superman and Batman, the nude form has been an icon of heroism for thousands of years. So when, as heroes, the Ilmar go into battle sans apparel, it is intended to evoke the same heroic ideal as can be found in Classical and Renaissance art. For Xandr and Thelana, their skin is their costume and nature their armor. If there is anything truly original about Ages of Aenya amid the torrent of elves and dwarves and chainmail bikinis lining bookstore shelves today, this is it. And yet, it should not be so strange or original, when one considers how commonly the heroic nude features in the Louvre and every major museum in Europe. The Internet is rife with sex, but what it is sorely lacking is the "heroic nude". With Xandr and Thelana, I do not wish to add fuel to the fires of noncomformist thinking. Rather, I hope to revive a very old tradition, what the Christian Orthodox conversion abolished with its grotesque images of humanity. I hope to revive the innocence and beauty and divinity that is in the human form. And if that isn't the best way to add something new to the fantasy genre---a genre that, like science fiction, should challenge social biases---I don't know what is.
In all honesty, I love nudity in all its forms. I even love the words nude and naked, which can carry so many, often dichotomous meanings, from natural to truthful to indecent. On the contrary, I hate porn, Hentai, and grotesque deformations of the human body on display in magazines like Heavy Metal.
Before I even knew what naturism was, it was part and parcel of my fiction. My first fantasy hero, the Greek demi-god, Dynotus, whom I created when I was 14, was more often naked than not. My inspiration for him and for Xandr came from summers on nude beaches and Greek sculpture. Neither Heracles, Perseus or Theseus bother with a stitch when standing gracefully in the Louvre or in the countless other museums of France and Italy. The late Frank Frazetta (RIP) also featured nudity in his art, which was never obscene---but in the exotic worlds of Conan seem only natural. Nudity in comics and film is not uncommon either. Before the film 300 popularized the Spartan myth for the modern age, Frank Miller had Leonidas traipsing around in nothing but a red cape (and no loincloth) throughout the graphic novel. In Alan Moore's Watchmen, Dr. Manhattan's genitalia is only hidden by the blue tone of his skin.
What makes Xandr and Thelana unique, and I think, shocking for some people, is the way they are naked. People seem bothered by the notion of natural nudity, or nudity in non-sexual social settings. Perhaps it is the "ism" in nudism that our modern society is afraid of. But for the Ilmarin people, to whom Xandr and Thelana belong, nudity is a non-issue. In their language, the word "nude" or "naked" does not exist. After the Great Cataclysm, when the planet Aenya stopped rotating, a paradise formed in one niche of the world which provided perfect weather . . . and isn't clothing, traced through prehistory, simply a protection from the elements? Doesn't environment dictate cultural norms as evidenced by Amazon tribes who know nothing of clothing, or Arabic cultures whose ancestors relied on head and mouth coverings to retain moisture?
The Ilmarin people are naked in the same sense. It is not to arouse or shock or to be risqué---it's simply their way of life. Or was at the start of the story. Just as in the Garden of Eden, the Ilmar lose their innocence when they are ousted from paradise (unlike Adam and Eve, however, they never accept their shame). The loss of innocence, and the other side of that coin, paradise, is a recurring theme in Ages of Aenya. Nudity becomes then a powerful metaphor when Aenya's "civilized" cultures, who are greedy, hubristic and materialistic, show nothing but contempt for the shameless, nature loving Ilmar. A quote from Edgar Rice Burroughs' Tarzan, which could have been lifted from Ages of Aenya, beautifully expresses how Xandr and Thelana feel,
"Clothes he abhorred - uncomfortable, hideous, confining things that reminded him somehow of bonds securing him to the life he had seen the poor creatures of London and Paris living. Clothes were the emblems of that hypocrisy for which civilization stood - a pretense that the wearers were ashamed of what the clothes covered, of the human form made in the semblance of God."
From Ancient Greece to the colored "tights" of Superman and Batman, the nude form has been an icon of heroism for thousands of years. So when, as heroes, the Ilmar go into battle sans apparel, it is intended to evoke the same heroic ideal as can be found in Classical and Renaissance art. For Xandr and Thelana, their skin is their costume and nature their armor. If there is anything truly original about Ages of Aenya amid the torrent of elves and dwarves and chainmail bikinis lining bookstore shelves today, this is it. And yet, it should not be so strange or original, when one considers how commonly the heroic nude features in the Louvre and every major museum in Europe. The Internet is rife with sex, but what it is sorely lacking is the "heroic nude". With Xandr and Thelana, I do not wish to add fuel to the fires of noncomformist thinking. Rather, I hope to revive a very old tradition, what the Christian Orthodox conversion abolished with its grotesque images of humanity. I hope to revive the innocence and beauty and divinity that is in the human form. And if that isn't the best way to add something new to the fantasy genre---a genre that, like science fiction, should challenge social biases---I don't know what is.
Magiq of Aenya Production Diary #1
Greetings, Aenya fans! I have decided to do something different for my upcoming project---I am releasing a production diary, starting with this one, because I am eager to share with you all the exciting details about The Magiq of Aenya. So what is 'The Magiq of Aenya'? It's the fourth book in the Aenya series and the biggest expansion to overall storyline since Ages of Aenya. You are going to learn about things I've only hinted at in my other books: the oasis city of Shemselinihar, the history of the Zo, how and why the Fantastigates work, and Emma's favorite book, 'Thangar and Sint.' We will also be seeing the triumphant return of Ecthros, fantasy's worst archer! I am taking everything I've learned over the past 30+ years of writing and pouring it into this one. THIS is why I quit my day job, folks. This is what I was born to do. I've gambled everything on making it big in the fantasy world and I honestly believe MoA has what it takes to sit on the shelf with the best in the biz.
Thelana: Feminist Icon?
Is a naked heroine sexist?
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I can already hear the detractors, the angry feminists calling me out as a sexist. Their argument, I imagine, will go something like this,
Thelana is the lead heroine in Nick Alimonos' fantasy epic, "Ages of Aenya," and she has everything we love to see in a female character: strength, intelligence, and she can dish out punishment good as her male companion. She even passes the Bechdel test! So why am I up in arms about Thelana? Well, when it comes to hyper-sexualizing women, this author's hit rock bottom. We're not talking chainmail bikinis or skintight tights here either, because with this super hero, the
Promotional Art Needed!
Are you a great artist? Do you want to make between $200-$500? Would you like to contribute your talents to a unique and exciting fantasy world that has been slowly building over the past decade and a half? Well now is your chance! By close of 2015, I will be hard at work on a new book campaign, for both "Ages of Aenya" and "The Princess of Aenya," through popular social media sites like Facebook and YouTube "book trailers" to brick and mortar book signings. But I am going to need a lot of great new artwork. This is what I am looking for:
1.) A wide-shot landscape of Xandr and Thelana, standing atop the fallen idol of Sargonus, in action pos
Welcome to Aenya!
The art on this page is inspired and dedicated to the Aenya fantasy series. Since 2003, artists from around the world have contributed their talents to visualizing the people and vistas that populate the Aenya novels.
There is only so much a writer can achieve with words. Images have the power to evoke thoughts and feelings, to inspire and to transport, in ways that even the best of literature fails to achieve. Which is why I am truly humbled by those artists who have set aside their egos and their own projects to reach out and meld minds with me. Their contributions have helped me to make something greater than any one person. I am honored
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